All posts tagged: Carlo Scarpa

Carlo Scarpa

In Robert McCarter’s Carlo Scarpa monograph, Austrian architect Peter Noever tells an astonishing tale. In 1974, he and Scarpa toured the Adolf Loos made American Bar in Vienna. The moment they entered Scarpa started evaluating the space. He ordered champagne for the ladies…… who were present and a measuring tape for himself. Scarpa then continued to measure everything down to the exact millimeter. When completed he announced the space to be of “singular spiritual and emotional quality.” This is precisely how I envision McCarter analyze the work of the Venetian architect Carlo Scarpa—measuring tape in hand.  In this substantial volume, McCarter leads us by the hand through Scarpa’s achievements. He gives us a survey that is both vast, and in the spirit of Scarpa, meticulously detailed. Carlo Scarpa is a mystery. He has never achieved the iconic status in this country reserved for Frank Lloyd Wright, Le Corbusier, or Louis Kahn, yet Scarpa was revered by all of them. McCarter’s comprehensive tome has the capacity to change this. With over 350 drawings, photos and plans …

Brion Cemetery Meditation Pavilion – Carlo Scarpa

Carlo Scarpa was one of the second generation of Modern architects – however, as a son of Venice, he was sensitive to that city’s old-fashioned culture (unlike most modernists), and made his reputation through a number of commissions and renovations in which he used Modern methods and spatial concepts to transform Venice, rather than crudely eliminate its ancient identity. He understood that the past is not dead and that we in the present must engage and intertwine with it. Scarpa did not restrict himself to Venice, however. Indeed, perhaps his most visited and well-known work was the last he completed in his lifetime – the Brion Cemetery at San Vito D’Altivole, a small village not far from the Dolomite Mountains. This was the country of Giuseppe Brion, founder of the prestigious Brionvega electronics company, who Scarpa admired as a man of the people, who had “started from the bottom”, as well as for the design quality of his products, many of which are museum pieces today. When Brion died in 1968, his family bought a …