All posts filed under: Architecture

Cafés and Country Houses: Vincent van Gogh’s Enduring Appeal

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There are things, some of them passing strange, what happens when one confronts a work of art: (i)unfolding of the heart; (ii) its expansion; (iii) its agitation; and, finally, (iv) vibration.    — from a reading of Kavyartha (Theory of Poetry) Introdution: Vincent van Gogh was a complete and utter failure in everything that seems important to his contemporaries. He was unable to start a family, earn his own living, or even keep his friends.[1] Yet in his paintings, he was able to establish his own concept of order against the chaos that apparently surrounded him. His art was an attempt to come to terms with a world in which he was endlessly ridiculed and laughed at. In the face of harsh criticism and bare recognition, his aim was not to escape the real world or suffer by renouncing it, but instead to make it tangible in an inclusive sense. In this way, his art enabled him to accept the once so hostile world as his own. His artistic talents were only recognized after his death. …

Placemaking After A Pandemic

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In a fictitious dialogue with Siegfrid Gideion, the famed Finnish architect Alvar Aalto said, “God created paper for architecture to be drawn on. Everything else is- at least to me- a misuse of paper.” In Aalto’s fictitious dialogue, he presents a prognosis of architecture as he foresaw it in the 1950s: “The horoscope of architecture today is one in which the words are negative- it does not make nice reading.” I, too, intend to read the horoscope of 21st-century architecture in a post-pandemic world from my own cultural and philosophical point of view. The picture I present of our time will not probably please everyone, but it coincides with the pronouncements with many cultural philosophers even before Covid-19 has struck us. This pandemic merely accelerated our continuous transition of mindless consumption as I present in this essay, it does not fundamentally change anything. The Death of Architecture Victor Hugo appended an enigmatic paragraph to the eighth edition of Notre Dame de Paris called “ceci tuera cela”(this will kill that); pronouncing the death of architecture. “In …

250 things that an Architect should know

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Michael Sorkin, the noted architectural critic and educator who passed away last month in covid-19 wrote about 250 things that an architect should know in his book What Goes Up . I have to admit that I myself don’t know probably 50 percent of items listed. but it’s fun to go through this list once in a while and assess our knowledge and position in this regard. Hold your breath. Here are the 250 things: 1.The feel of cool marble under bare feet.2.How to live in a small room with five strangers for six months.3.With the same strangers in a lifeboat for one week.4.The modulus of rupture.5.The distance a shout carries in the city.6.The distance of a whisper.7.Everything possible about Hatshepsut’s temple (try not to see it as “modernist” avant la lettre).8.The number of people with rent subsidies in New York City.9.In your town (include the rich).10.The flowering season for azaleas.11.The insulating properties of glass.12.The history of its production and use.13.And of its meaning.14.How to lay bricks.15.What Victor Hugo really meant by “this will kill …

Architecture of Memory: On the Relevance of Memory in Architecture

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The link between Architecture and Memory is quite ancient. Numerous accounts have been written on how architecture was used as a memory tool. We learn from stories of the Greek poet Simonides, who identified from his memory every visitor in a banquet associating them with architectural setting. This art of memory often called “memory palace” was transmitted from Greeks to Romans and then into European tradition of storytelling. It was common to rehearse speech associating it with the landscape, the porch, the steps, the bedroom or balcony. Hypneretomachia Poliphili, a fifteenth-century Italian text shows Poliphilo in a dark forest, describing ancient marvels “deserving of a place in the theatre of memory” who encounters ruins of classical buildings in search for his beloved Polia in his dream. After the invention of the printing press, with books readily available, memorization techniques were less in demand. Later, memories were distrusted and frowned upon as an unreliable source. Frances Yates claims in Art of Memory that we, moderns, have no memory at all. Giordano Bruno, a sixteenth-century Italian polymath, …

The Bow and the Lyre

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The Poem. The Poetic Revelation. Poetry and History. Why poetry is important in everyday life. Taking a leaf out of Octavio Paz’s book to make a strong case for poetry in our daily life, culture and society. Octavio Paz, the author of this book was a Mexican poet, writer, and diplomat, recognized as one of the major Latin American writers of the 20th century. He received the Nobel Prize for Literature in 1990. This book The Bow and the Lyre contains timeless and profound ideals for our life, society and culture. The Image Images are product of imagination. We use the word image to invoke several different meanings. Each image or a poem consisting of different images contain many kinds of opposite or disparate meanings. Saint John speaks of Silent Music where two incompatible terms are put together. According to Paz, the image is key to human condition. A child is surprised to know that a pound of stone and a pound of feather has the same weight. It is the character of the matter …

Amaravati Government Complex Design Competition

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Chandigarh was a long time ago, but arguably, no development of a new state capital has generated as much excitement and hype as Andhra Pradesh’ Amaravati city. While India is looking up to Amaravati as a modern day, even ‘futuristic’ capital that may well become a template for India’s 100 smart cities project, the city itself has a rich and glorious past. Three international firms were shortlisted in the final stage competition including Richard Rogers of Rogers Stirk Harbour and Partners from London, UK, BV Doshi of Vastu Shilpa Foundation from Ahmedabad,India and Fumihiko Maki of Maki and associates from Tokyo, Japan. The brief for the competition was to design spaces that are eco-friendly, assimilates green and blue concept and most of all, act as vital geographic and economic gateways to their respective markets Jury members comprising Erwin Viray (Professor of Architecture and Design at the Kyoto Institute of Technology,Japan), Suha Ozkan (Founder president of World Architecture community , Turkey), Rajeev Sethi (Designer and Art curator, India) , KT Ravindran (noted urban designer and educationist, …