The link between Architecture and Memory is quite ancient. Numerous accounts have been written on how architecture was used as a memory tool. We learn from stories of the Greek poet Simonides, who identified from his memory every visitor in a banquet associating them with architectural setting. This art of memory often called “memory palace” was transmitted from Greeks to Romans and then into European tradition of storytelling. It was common to rehearse speech associating it with the landscape, the porch, the steps, the bedroom or balcony. Hypneretomachia Poliphili, a fifteenth-century Italian text shows Poliphilo in a dark forest, describing ancient marvels “deserving of a place in the theatre of memory” who encounters ruins of classical buildings in search for his beloved Polia in his dream. After the invention of the printing press, with books readily available, memorization techniques were less in demand. Later, memories were distrusted and frowned upon as an unreliable source. Frances Yates claims in Art of Memory that we, moderns, have no memory at all. Giordano Bruno, a sixteenth-century Italian polymath, …